Bronze with the Seated Goddess Class V

Émetteur Carnutes
Année 40 BC - 30 BC
Type Standard circulation coin
Valeur
Devise
Composition Bronze
Poids 3.29 g
Diamètre 16 mm
Épaisseur
Forme Round (irregular)
Technique Hammered
Orientation Variable alignment ↺
Graveur(s)
En circulation jusqu’à
Référence(s) LT#7058, DT#2469
Description de l’avers Male head right, legend in front of face and behind neck, beaded circle.
Écriture de l’avers
Légende de l’avers PIXTILOS
Description du revers Figure seated and draped on the left, the left arm leaning on the backrest, in the right hand an ornament resembling three snakes; in front, volute in the shape of an esse; indeterminate object below the exergue line.
Écriture du revers
Légende du revers
Tranche
Atelier
Tirage ND (40 BC - 30 BC) - -
ID Numisquare 3660436530
Informations supplémentaires

Historical Context: The Bronze with the Seated Goddess Class V, issued by the Carnutes between 40 BC and 30 BC, emerges from a pivotal transitional era following Caesar's conquest of Gaul. The Carnutes, a central Gallic tribe significant in the Vercingetorix uprising, navigated increasing Roman influence during this period. This coinage likely functioned as local utility currency, symbolizing lingering Gallic identity and economic autonomy during the Roman Triumviral period, even as Roman administrative structures began to solidify across the region.

Artistry: The design featuring a Seated Goddess, designated Class V, exemplifies late Gallic numismatic art. While specific engravers are unknown, the stylistic school often combined traditional Gallic abstraction with nascent Roman naturalism. This seated figure likely represents a local Gallic deity, perhaps a Mother Goddess or a protective spirit, whose imagery resonated with the Carnutes. The design subtly reflects the cultural synthesis occurring as indigenous beliefs encountered Roman iconographic conventions.

Technical/Grading: Struck in bronze, this coin measures 16 millimeters and weighs 3.29 grams, standard specifications for a utilitarian denomination of the period. Technical strike quality is often variable; irregular flans and off-center strikes are common due to contemporary manufacturing processes. High-points for wear and strike assessment typically include the goddess's head, the folds of her drapery over her knees, and any attributes she might hold. Well-struck examples show clear delineation of these features, though full, crisp detail across the entire flan is rare.

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