Katalog
| Popis líce | Head to the right, hair parted in large, stylized curls pulled back; a ruffle in front of the face. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Bird facing left; behind, a pentagram and a Y; behind, two centered rings; under the bird`s tail, a cross with rounded ends. |
| Písmo rubu | Latin |
| Opis rubu | YLLYCCI |
| Hrana | |
| Mincovna | |
| Náklad |
ND (100 BC - 52 BC) - - |
| ID Numisquare | 1323834850 |
| Další informace |
Historical Context: This coin, issued by the Senones, dates from 100 BC to 52 BC, a critical period immediately preceding and during Julius Caesar's Gallic Wars. The Senones were a significant Celtic tribe inhabiting central Gaul, and their coinage reflects their independent economic and political identity before Roman conquest. This era was marked by intense inter-tribal dynamics, burgeoning trade, and the encroaching influence of the Roman Republic, making such issues vital evidence of indigenous Gallic sovereignty and monetary systems prior to their eventual subjugation and the standardization of Roman currency.
Artistry: The "Bronze with bird YLLYCCI Class XIa," despite its nominal designation, is composed of potin, typifying the distinctive Celtic artistic tradition of the late Iron Age. Lacking a named engraver, its stylistic school belongs to the abstract and highly stylized Gallic tradition. The bird motif, a pervasive symbol in Celtic iconography often representing spiritual significance or tribal totems, is rendered with characteristic dynamism, frequently reduced to essential lines and forms. The "YLLYCCI" element likely refers to a tribal legend, chieftain's name, or a specific mint mark, adding a layer of epigraphic interest to its symbolic design.
Technical/Grading: Struck from potin, a cast alloy commonly used for mass-produced Celtic coinage, this 15mm, 1.89g piece exhibits technical qualities typical of its issue. High-points for evaluating detail include the bird's head, wing contours, and any discernible elements of the YLLYCCI legend. A well-preserved specimen would display a relatively full strike or cast, with minimal planchet flaws, cracks, or wear obscuring the primary design. Grading emphasizes the clarity of the bird's form and the legibility of the legend, despite the often-coarse nature inherent to potin issues.