Каталог
| Эмитент | Arverni |
|---|---|
| Год | 100 BC - 52 BC |
| Тип | Standard circulation coin |
| Номинал | |
| Валюта | |
| Состав | Bronze |
| Вес | 1.22 g |
| Диаметр | 15.5 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | LT#3931 |
| Описание аверса | Beardless bust to the right, neck adorned with a torc, diamond enclosing a point behind the nape of the neck; legend in a cartouche in front of the face. |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса | CALIIDV |
| Описание реверса | Horse bounding left; above, round shield; below, a floret. |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (100 BC - 52 BC) - - |
| ID Numisquare | 7803865570 |
| Дополнительная информация |
Historical Context: This Bronze CALIIDV coin, issued by the powerful Arverni tribe (100-52 BC), marks a critical period in Gallic history. The Arverni, dominant, were a significant political and military force, often leading confederations against Roman expansion. CALIIDV likely refers to a local magistrate or chieftain, indicating a sophisticated civic administration. This era immediately precedes Caesar's conquest, making these issues vital for understanding Gallic economic and political structures.
Artistry: Engravers remain anonymous, but the CALIIDV bronze belongs to a distinctive Celtic stylistic school. Gallic artistry is characterized by dynamic abstraction, reinterpreting Hellenistic prototypes with indigenous flair. The obverse typically features a highly stylized head, often derived from Apollo, rendered with bold, sweeping lines. The reverse frequently depicts a stylized animal or abstract motif. The CALIIDV inscription forms an integral part, executed in clear, blocky lettering, blending native art with emerging epigraphic practices.
Technical/Grading: Weighing 1.22 grams and measuring 15.5 millimeters, this bronze represents a common minor denomination. For grading, key high-points include the highest relief areas of any portraiture (nose, hair, eye) and details of any reverse animal or symbol. Technical strike qualities often vary; while some examples exhibit strong, well-centered strikes, others may show off-centering or weakness in high relief areas due to flan preparation and manual striking. Well-struck examples present clear details with minimal flan defects.