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| 正面描述 | Laureate and bearded male head facing left, rendered in the Hellenistic tradition typical of Numidian royal coinage. The portrait, likely representing King Massinissa or Micipsa, displays bold, somewhat stylized facial features with a wreath of laurel encircling the hair. The flan is irregular and slightly ragged at the edges, consistent with the hammered bronze coinage of the period. The surface shows characteristic patination with areas of green corrosion. |
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| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A horse rearing up on its hind legs, depicted in left profile with muscular forequarters and flowing mane, a motif emblematic of Numidian coinage and reflecting the region's celebrated equestrian culture. Below the horse, Punic letters appear in the lower field, serving as a mint or authority identifier. The strike is bold though somewhat uneven, consistent with hammered bronze production. The overall composition is contained within an irregular, roughly circular flan displaying a rich green patina. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Numidia never operated a mint in the Greek or Roman sense — coinage here emerged as a political instrument during and after the Second Punic War, when Massinissa's alliance with Rome transformed his kingdom from a fractured client territory into the dominant power in North Africa. These bronzes circulated across a kingdom that stretched at its height from Mauretania to the borders of Carthaginian territory, and the Punic script reflects the administrative reality of a court that conducted much of its official business in that language despite Rome's growing influence.
The near-century span of attribution between Massinissa and his grandson Micipsa makes individual assignment nearly impossible without die study. Micipsa reigned until 118 BC, at which point the kingdom was divided among three heirs — a partition that effectively ended unified Numidian power.