Anonymous Gold Guilder

İhraççı Comtat Venaissin
Yıl 1320-1350
Tür Standard circulation coin
Değer 1 Gold Florin (6⁄5)
Para birimi Livre Tournois
Bileşim Gold (.986)
Ağırlık 3.53 g
Çap
Kalınlık
Şekil Round (irregular)
Teknik Hammered
Yönlendirme Variable alignment ↺
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) Dy féodales#1782, Fr#29, Munt#2, PA#XCIII, 21, Berman#201, Fr#27
Ön yüz açıklaması St. John the Baptist standing.
Ön yüz yazısı Latin
Ön yüz lejandı S IOHANNIS B
(Translation: Saint John the Baptist.)
Arka yüz açıklaması Lily design, similar to Firenze coins.
Arka yüz yazısı Latin
Arka yüz lejandı SANT PETRII
(Translation: Saint Peter.)
Kenar
Darphane
Basma adedi ND (1320-1350) - -
Numisquare Kimliği 3253275850
Ek bilgiler

Historical Context: Issued between 1320 and 1350, this Anonymous Gold Guilder originates from the Comtat Venaissin, a papal territory in southern France. This period corresponds to the Avignon Papacy, under Popes John XXII, Benedict XII, and Clement VI, who asserted significant temporal and spiritual authority. The coin's anonymous nature reflects the standardized international currency of the Florentine florin, adopted by the papacy to facilitate trade and demonstrate its economic power without attributing it to a specific pontiff, underscoring the universal nature of papal authority.

Artistry: While the engraver remains unknown, the coin adheres to the late Gothic stylistic school prevalent in 14th-century European coinage. The design faithfully replicates the iconic Florentine florin. The obverse features a meticulously rendered fleur-de-lis, symbolizing purity and sovereignty. The reverse depicts Saint John the Baptist standing, facing forward, holding a staff and raising his right hand in blessing, a traditional motif emphasizing the spiritual authority associated with the coin's origins.

Technical/Grading: Struck in high-purity gold (.986) with a weight of 3.53 grams, this guilder exemplifies the advanced metallurgical standards of its time. High-points for grading include the fine details of Saint John’s hair and beard, the folds of his garment, and the intricate stamens of the fleur-de-lis. Typical strike qualities for this era often include some degree of off-centring or unevenness in the strike, though the exceptional fineness of the gold generally preserves design elements well.

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