カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Zeus, naked to the waist and wearing a himation over his lower body, stands facing left. In his extended right hand he holds an eagle, while his left hand grasps a long transverse sceptre. Before him, a turreted Tyche — personification of the city — stands facing right, holding an uncertain object in her right hand with her left hand resting upon a sceptre. The composition reflects a standard civic type associating the supreme Olympian deity with the fortune of the polis, as commonly employed on Ionian provincial bronzes. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Metropolis in Ionia was a minor civic center whose coin output under Trajan was modest and is now poorly documented — the reference corpus remains incomplete for many provincial issues from this conventus. What distinguishes this piece administratively is the ethnic legend ΠΟΛΕΙΤΩΝ, the genitive plural identifying the issuing civic body, a formula used by smaller Ionian communities asserting municipal identity within the Roman provincial framework without the full apparatus of a neokorate or league affiliation.
The conventus of Ephesus handled judicial and administrative business for a wide sweep of Ionian cities; coins like this one likely circulated within that regional economy rather than traveling far.