目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | Greek |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Selene, the lunar goddess, stands erect in a biga drawn by two bulls moving to the left, holding the reins in both hands; she is depicted wearing a long flowing garment with a crescent visible above her head, consistent with her divine lunar attributes. The composition conveys dynamic movement, with the bulls rendered in vigorous stride and the goddess shown in profile. The scene is a celebrated type for Magnesia ad Maeandrum, referencing the city's mythological association with Selene. A two-line Greek legend naming the local magistrate and the civic ethnic frames the reverse field, enclosed within a beaded border. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Magnesia ad Maeandrum sat in the Maeander river valley of Lydia, a city that had spent centuries negotiating its identity between Greek civic pride and Roman administrative reality. By Gordian III's reign, the right to strike bronze coinage was a municipal privilege jealously maintained — the magistrate name ΔΗΜΟΝΕΙΚΟC embedded in the legend was not ceremonial filler but a civic official directly accountable for the issue's production and quality.
The reference VII.1#532.1 places this within the Sylloge Nummorum Graecorum framework for Ionian civic bronzes, a series where die-linkage studies have repeatedly shown that individual magistrate issues were often struck in short, concentrated runs rather than sustained production.