Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!

Æ24

Uitgever Perinthus
Jaar 25-75
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Bronze
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde A large dolphin depicted in dynamic profile, swimming to the right, set against a plain field. The dolphin is rendered with naturalistic detail, its arching body and tail fin clearly articulated. The Greek civic legend ΠΕΡΙΝ / ΘΙΩΝ is arranged in two lines around the dolphin, divided above and below, enclosed within a dotted border. This reverse type alludes to Perinthus's status as a prominent Thracian coastal city on the Propontis.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Perinthus
Oplage Log in om details te zien
Aanvullende informatie

Perinthus, on the northern coast of the Propontis, was one of Thrace's most strategically placed cities — a fact exploited by every power from Philip II of Macedon to Rome. By the mid-first century AD, the city operated under provincial Roman administration but retained the right to strike its own bronze, a privilege that reflected its commercial weight as a transit point between Europe and Asia. RPC I 1766 belongs to a loosely dated Julio-Claudian horizon, the attribution refined primarily through die links and the absence of imperial portrait types rather than any firm documentary anchor.

MISSCHIEN OOK INTERESSANT