Æ22 Anazarbus

İhraççı Anazarbus
Yıl 113-114
Tür Standard circulation coin
Değer
Para birimi
Bileşim
Ağırlık 9 g
Çap 22 mm
Kalınlık 3 mm
Şekil Round (irregular)
Teknik Hammered
Yönlendirme Medal alignment ↑↑
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar)
Ön yüz açıklaması Head of Zeus to right, laureate.
Ön yüz yazısı Greek
Ön yüz lejandı KAIΣAΡEΩN ANAZAΡBΩ
(Translation: of Caesarea ad Anazarbus.)
Arka yüz açıklaması Head of Tyche to right, turreted, veiled, flanked by date.
Arka yüz yazısı Greek
Arka yüz lejandı ETOYC BΛP
(Translation: Year 132)
Kenar
Darphane
Basma adedi ND (113-114) - -
Numisquare Kimliği 3500920300
Ek bilgiler

Historical Context: This Æ22 coin from Anazarbus, struck between 113-114 AD, places it squarely within the reign of Emperor Trajan (98-117 AD). Anazarbus, a prominent city in Cilicia, served as a vital strategic and economic hub in the Roman East. This period saw Trajan's ambitious campaigns in Parthia, which would have significantly impacted the region's prosperity and its relationship with the imperial center. The coin's issuance reflects Anazarbus's civic autonomy under Roman provincial administration, allowing local minting for regional commerce.

Artistry: While specific engravers for provincial issues are seldom known, the coin's artistry adheres to the prevailing Roman provincial style of the early 2nd century. The obverse would typically feature a laureate bust of Emperor Trajan, rendered with a degree of realism characteristic of the period, though often with local interpretations. The reverse likely depicted a civic emblem, local deity such as Tyche, or a temple, reflecting Anazarbus's unique cultural identity and religious veneration, executed with varying degrees of sculptural finesse.

Technical/Grading: Measuring 22mm and weighing approximately 9 grams, this Æ22 denomination was a substantial bronze issue. Key high-points for wear or strike weakness on the obverse would include Trajan's hair, ear, and the highest folds of his drapery. For the reverse, details like facial features of deities or architectural elements would be crucial. Technical strike quality varies, with examples exhibiting weak strikes or off-centering being common. Well-struck specimens would show sharp details, good centering, and minimal die wear, indicating careful production.

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