Catalog
| Issuer | Anazarbus |
|---|---|
| Year | 113-114 |
| Type | Standard circulation coin |
| Value | |
| Currency | |
| Composition | |
| Weight | 9 g |
| Diameter | 22 mm |
| Thickness | 3 mm |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) |
| Obverse description | Head of Zeus to right, laureate. |
|---|---|
| Obverse script | Greek |
| Obverse lettering |
KAIΣAΡEΩN ANAZAΡBΩ (Translation: of Caesarea ad Anazarbus.) |
| Reverse description | Head of Tyche to right, turreted, veiled, flanked by date. |
| Reverse script | Greek |
| Reverse lettering |
ETOYC BΛP (Translation: Year 132) |
| Edge | |
| Mint | |
| Mintage |
ND (113-114) - - |
| Numisquare ID | 3500920300 |
| Additional information |
Historical Context: This Æ22 coin from Anazarbus, struck between 113-114 AD, places it squarely within the reign of Emperor Trajan (98-117 AD). Anazarbus, a prominent city in Cilicia, served as a vital strategic and economic hub in the Roman East. This period saw Trajan's ambitious campaigns in Parthia, which would have significantly impacted the region's prosperity and its relationship with the imperial center. The coin's issuance reflects Anazarbus's civic autonomy under Roman provincial administration, allowing local minting for regional commerce.
Artistry: While specific engravers for provincial issues are seldom known, the coin's artistry adheres to the prevailing Roman provincial style of the early 2nd century. The obverse would typically feature a laureate bust of Emperor Trajan, rendered with a degree of realism characteristic of the period, though often with local interpretations. The reverse likely depicted a civic emblem, local deity such as Tyche, or a temple, reflecting Anazarbus's unique cultural identity and religious veneration, executed with varying degrees of sculptural finesse.
Technical/Grading: Measuring 22mm and weighing approximately 9 grams, this Æ22 denomination was a substantial bronze issue. Key high-points for wear or strike weakness on the obverse would include Trajan's hair, ear, and the highest folds of his drapery. For the reverse, details like facial features of deities or architectural elements would be crucial. Technical strike quality varies, with examples exhibiting weak strikes or off-centering being common. Well-struck specimens would show sharp details, good centering, and minimal die wear, indicating careful production.