目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Artemis, patroness of Ephesus, depicted advancing to the right in a dynamic hunting pose, her figure energetically seizing a stag by its antlers while pressing her knee firmly upon the animal's back to subdue it. The composition reflects the goddess's role as divine huntress and her central importance to the civic identity of Ephesus. The reverse legend, distributed around the field, proclaims the preeminence of Ephesus as the foremost city of Asia. The die work, though worn, conveys the fluid movement characteristic of Ephesian civic bronzes under the Severan dynasty. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | Ephesus |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Ephesus held the title ΠΡΩΤΩΝ ΑϹΙΑϹ — "first of Asia" — not merely as civic pride but as a hard-won administrative designation conferring precedence over rival cities like Smyrna and Pergamon, a competition fought through embassies, imperial flattery, and considerable expense. Under Elagabalus, that rivalry remained live. The emperor's own theological eccentricities made his reign an unstable platform for any city seeking imperial favor, yet Ephesian bronze issues continued uninterrupted throughout his four years.
The conventus system meant these coins circulated within a defined judicial district, not across the province at large.