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| 正面描述 | Crude barbarous imitation of a late Roman imperial bust facing right, depicted laureate and draped, rendered in a simplified, degenerate style characteristic of Germanic tribal imitations. The portrait, while echoing the official effigy of Constantine I, displays schematic facial features with minimal detail, a hallmark of unofficial provincial or barbarian workshop production. A garbled Latin legend surrounds the bust in the obverse field, imitating the imperial titulature of Constantine I but rendered as a meaningless sequence of letters by an illiterate die-cutter. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Three standing figures arranged on a hollow podium or platform, rendered in a crude, stylized manner typical of barbarous imitations of late Roman coinage. The central and flanking figures are depicted in military or imperial dress, their forms highly schematic and lacking fine detail. The composition loosely imitates Roman Victory or military type reverses associated with Constantinian-era issues. A garbled pseudo-legend occupies the reverse field, imitating the mint marks and reverse inscriptions of the official Trier (Treveri) mint but rendered as an unintelligible sequence of letters. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
These small bronzes, struck by Germanic groups operating beyond the Danubian frontier, were produced in imitation of Constantinian coinage at a moment when Roman coin types were circulating widely through gift exchange, tribute, and raiding. The hollow podium reverse — derived from the gloria exercitvs types — was among the most copied Roman designs across the barbaricum, likely because the military imagery carried political weight even when the inscriptions were garbled or meaningless to the striker. Göbl's reference point of 2635 places this within a loosely defined cluster rather than a confirmed die group.