カタログ
| 発行体 | Canton of Appenzell Innerrhoden |
|---|---|
| 年号 | 1738 |
| 種類 | Standard circulation coin |
| 額面 | 9 Batzen (0.3) |
| 通貨 | Thaler (1737-1744) |
| 材質 | Silver |
| 重量 | 8.56 g |
| 直径 | 31 mm |
| 厚さ | |
| 形状 | Round |
| 製造技法 | |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | KM#39, HMZ 1#2-36b |
| 表面の説明 | Armoured and nimbate Saint Maurice standing right, holding flag with cross in his right hand and oval shield with rampant bear in his left hand. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | S · MAURIT · PAT · REIP · APPENZELLENSIS · |
| 裏面の説明 | Inscription and date within palm (Arecaceae) wreath. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | SALVUM FAC POPVLUM TVUM 1738 BATZEN VIIII IT |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
1738 - - |
| Numisquare ID | 8949963450 |
| 追加情報 |
Historical Context: The 1738 9 Batzens coin from the Canton of Appenzell Innerrhoden exemplifies the Old Swiss Confederacy's decentralized nature. As a sovereign, staunchly Catholic half-canton, Appenzell Innerrhoden exercised its right to coinage, reflecting its direct democratic governance via the Landsgemeinde. This 18th-century issue underscores the canton's economic autonomy and its integration into the broader South German and Swiss monetary systems, where the Batzen was a widely accepted unit.
Artistry: The engraver is typically anonymous for smaller cantonal mints of this period. Stylistically, the coin exhibits a provincial Baroque aesthetic, characterized by robust, yet powerful imagery. The obverse commonly features the Appenzell bear rampant within an ornate shield, surrounded by the cantonal legend. The reverse displays the denomination "9 BATZ" and the date "1738," often centered within a cruciform design or wreath, reflecting civic authority and religious piety.
Technical/Grading: Struck in silver, weighing 8.56 grams and measuring 31 millimeters, this 9 Batzens coin is substantial. High-points for grading include the bear's fur and musculature, shield details, and legend sharpness on the obverse. On the reverse, clarity of the date and denomination numerals, plus any cruciform design elements, are crucial. Technical strike quality often varies, with minor planchet irregularities or slight weakness, particularly on high-relief areas, typical for 18th-century cantonal issues.