Catalog
| Issuer | Amyzon |
|---|---|
| Year | 200 BC - 100 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 0.93 g |
| Diameter | 8.0 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | SNG von Aulock#8054 |
| Obverse description | Head of Artemis right |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Forepart of stag right |
| Reverse script | Greek |
| Reverse lettering | AMYZONEΩΝ |
| Edge | |
| Mint | |
| Mintage |
ND (200 BC - 100 BC) - - |
| Numisquare ID | 6546819720 |
| Additional information |
Historical Context: This Æ8 coin originates from Amyzon, a significant Carian city during the late Hellenistic period, specifically between 200 and 100 BC. This era was characterized by the shifting power dynamics among the Hellenistic kingdoms and the growing influence of Rome in Anatolia. As a relatively small city, Amyzon's ability to issue its own bronze coinage, even of such diminutive size, underscores its continued civic autonomy and economic self-sufficiency, likely for local transactional needs within its territory, possibly under the broader influence of Rhodes or other regional powers.
Artistry: While the specific engraver remains anonymous, typical for civic bronzes of this period, the coin’s design would have adhered to the Hellenistic stylistic school. Despite its minute 8mm module, the artistry would aim to convey civic identity, often featuring a local deity, mythological figure, or a prominent civic symbol. The challenge for the die engraver lay in rendering recognizable details within such a confined space, requiring a balance of simplification and expressive form to ensure legibility and impact for its users.
Technical/Grading: This bronze Æ8 coin, weighing 0.93 grams and measuring 8.0 millimeters, represents a fractional denomination. Due to its extremely small flan, such coins frequently exhibit technical strike inconsistencies, including off-centering or partial strikes where elements of the design extend beyond the flan. Key high-points, typically the most raised features of the obverse or reverse design (e.g., hair, facial features, or central emblems), would be the first areas to show wear from circulation. Flan preparation could also vary, affecting overall strike quality.