Katalog
Vollständige Bilder anzeigen — kostenlose Registrierung
Mit Google fortfahren — kostenlos
oder mit E-Mail registrieren
Warum registrieren? Nur um Bots aus unserem Katalog fernzuhalten. Ihre E-Mail bleibt privat — wir geben sie nie weiter und senden Ihnen nichts Unerwünschtes. Das garantieren wir Ihnen!
75 Pfennig
| Emittent | Stadt Bredstedt (City of Bredstedt) |
|---|---|
| Jahr | 1921 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 75 Pfennigs (75 Pfennige) (0.75) |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | The reverse is printed in black, red, and green on a pale yellow-green ground and carries a full-width vignette of a traditional North Frisian townhouse — identified by the caption 'DE · APTHEK' (the pharmacy) — rendered in a flat, illustrative style with a red-tiled mansard roof, flanking outbuildings, and decorative shrubbery in the foreground. The denomination '75' in red appears at the lower left, balanced by the abbreviated 'Pn' at the lower right. Above the vignette, the Low German value inscription 'FIEF · U · SÖBENTI · PENN' runs in large block letterpress across the full width of the note. |
| Rückseitenlegende | FIEF · U · SÖBENTI · PENN 75 Pn DE · APTHEK |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Bredstedt sits in Schleswig, a region that had passed from German to Danish control and back again across two centuries of contested sovereignty — and as recently as 1920, when the post-WWI plebiscite split the duchy along linguistic lines. This note was issued the following year, when municipal Notgeld was still flooding Germany amid coin shortages and inflation pressure, but in Schleswig specifically, even small local scrip carried a charged political weight.
Ingwer Paulsen was a Schleswig-born painter of some regional distinction, and his involvement here is worth noting — Notgeld from this border zone frequently employed local artists to assert cultural identity as much as to fill a monetary gap.