カタログ
| 発行体 | Nigeria |
|---|---|
| 年号 | 1959 |
| 種類 | Standard circulation coin |
| 額面 | 6 Pence (1⁄40) |
| 通貨 | Pound (1918-1973) |
| 材質 | Copper-nickel (75% Copper, 25% Nickel) |
| 重量 | 2.49 g |
| 直径 | 17.50 mm |
| 厚さ | 1.40 mm |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | Medal alignment ↑↑ |
| 彫刻師 | Obverse: Cecil Thomas Reverse: Thomas Humphrey Paget |
| 流通終了年 | 1973 |
| 参考文献 | KM#4, Schön#35 |
| 表面の説明 | Crowned bust facing right |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | QUEEN ELIZABETH THE SECOND |
| 裏面の説明 | Cacao beans |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | FEDERATION OF NIGERIA 1959 HP SIXPENCE |
| 縁 | Reeded |
| 鋳造所 | |
| 鋳造数 |
1959 - - 35 000 000 1959 - Proof - 6 031 |
| Numisquare ID | 1070346520 |
| 追加情報 |
Historical Context: The 1959 Nigerian 6 Pence coin, bearing the first portrait of Queen Elizabeth II, is a significant numismatic artifact from the twilight of British colonial rule. Issued just a year before Nigeria gained independence in 1960, this coin embodies the transitional era where the sovereign of the departing colonial power still graced the currency. It serves as a tangible historical marker of a pivotal moment in African decolonization, directly linking Nigeria's economic past to the British Empire's waning influence.
Artistry: The obverse features the iconic first portrait of Queen Elizabeth II, a youthful, uncrowned effigy facing right, meticulously crafted by sculptor Mary Gillick. This post-war British numismatic style emphasized a naturalistic yet dignified portrayal. The reverse presents a more utilitarian colonial design, displaying the denomination "6 PENCE" and the year "1959" elegantly encircled by a wreath, surmounted by St. Edward's Crown, a clear symbol of imperial authority and tradition.
Technical/Grading: Struck in copper-nickel (75% Copper, 25% Nickel), this 2.49-gram, 17.50-millimeter coin was designed for robust circulation. Key high-points for assessing wear and strike quality include the hair details around Queen Elizabeth II's ear and forehead on the obverse. On the reverse, collectors should examine the intricate details of St. Edward's Crown and the individual leaves within the wreath. Well-struck examples exhibit sharp definition, while circulation wear typically smooths these features first.