6 Pence - Elizabeth II 1st portrait

Emitent Nigeria
Rok 1959
Typ Standard circulation coin
Hodnota 6 Pence (1⁄40)
Měna Pound (1918-1973)
Složení Copper-nickel (75% Copper, 25% Nickel)
Hmotnost 2.49 g
Průměr 17.50 mm
Tloušťka 1.40 mm
Tvar Round
Technika Milled
Orientace Medal alignment ↑↑
Rytci Obverse: Cecil Thomas
Reverse: Thomas Humphrey Paget
V oběhu do 1973
Reference KM#4, Schön#35
Popis líce Crowned bust facing right
Písmo líce Latin
Opis líce QUEEN ELIZABETH THE SECOND
Popis rubu Cacao beans
Písmo rubu Latin
Opis rubu FEDERATION OF NIGERIA 1959 HP SIXPENCE
Hrana Reeded
Mincovna
Náklad 1959 - - 35 000 000
1959 - Proof - 6 031
ID Numisquare 1070346520
Další informace

Historical Context: The 1959 Nigerian 6 Pence coin, bearing the first portrait of Queen Elizabeth II, is a significant numismatic artifact from the twilight of British colonial rule. Issued just a year before Nigeria gained independence in 1960, this coin embodies the transitional era where the sovereign of the departing colonial power still graced the currency. It serves as a tangible historical marker of a pivotal moment in African decolonization, directly linking Nigeria's economic past to the British Empire's waning influence.

Artistry: The obverse features the iconic first portrait of Queen Elizabeth II, a youthful, uncrowned effigy facing right, meticulously crafted by sculptor Mary Gillick. This post-war British numismatic style emphasized a naturalistic yet dignified portrayal. The reverse presents a more utilitarian colonial design, displaying the denomination "6 PENCE" and the year "1959" elegantly encircled by a wreath, surmounted by St. Edward's Crown, a clear symbol of imperial authority and tradition.

Technical/Grading: Struck in copper-nickel (75% Copper, 25% Nickel), this 2.49-gram, 17.50-millimeter coin was designed for robust circulation. Key high-points for assessing wear and strike quality include the hair details around Queen Elizabeth II's ear and forehead on the obverse. On the reverse, collectors should examine the intricate details of St. Edward's Crown and the individual leaves within the wreath. Well-struck examples exhibit sharp definition, while circulation wear typically smooths these features first.

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