目录
| 发行方 | Nigeria |
|---|---|
| 年份 | 1959 |
| 类型 | Standard circulation coin |
| 面值 | 6 Pence (1⁄40) |
| 货币 | Pound (1918-1973) |
| 材质 | Copper-nickel (75% Copper, 25% Nickel) |
| 重量 | 2.49 g |
| 直径 | 17.50 mm |
| 厚度 | 1.40 mm |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | Obverse: Cecil Thomas Reverse: Thomas Humphrey Paget |
| 流通至 | 1973 |
| 参考资料 | KM#4, Schön#35 |
| 正面描述 | Crowned bust facing right |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | QUEEN ELIZABETH THE SECOND |
| 背面描述 | Cacao beans |
| 背面文字 | Latin |
| 背面铭文 | FEDERATION OF NIGERIA 1959 HP SIXPENCE |
| 边缘 | Reeded |
| 铸币厂 | |
| 铸造量 |
1959 - - 35 000 000 1959 - Proof - 6 031 |
| Numisquare 编号 | 1070346520 |
| 附加信息 |
Historical Context: The 1959 Nigerian 6 Pence coin, bearing the first portrait of Queen Elizabeth II, is a significant numismatic artifact from the twilight of British colonial rule. Issued just a year before Nigeria gained independence in 1960, this coin embodies the transitional era where the sovereign of the departing colonial power still graced the currency. It serves as a tangible historical marker of a pivotal moment in African decolonization, directly linking Nigeria's economic past to the British Empire's waning influence.
Artistry: The obverse features the iconic first portrait of Queen Elizabeth II, a youthful, uncrowned effigy facing right, meticulously crafted by sculptor Mary Gillick. This post-war British numismatic style emphasized a naturalistic yet dignified portrayal. The reverse presents a more utilitarian colonial design, displaying the denomination "6 PENCE" and the year "1959" elegantly encircled by a wreath, surmounted by St. Edward's Crown, a clear symbol of imperial authority and tradition.
Technical/Grading: Struck in copper-nickel (75% Copper, 25% Nickel), this 2.49-gram, 17.50-millimeter coin was designed for robust circulation. Key high-points for assessing wear and strike quality include the hair details around Queen Elizabeth II's ear and forehead on the obverse. On the reverse, collectors should examine the intricate details of St. Edward's Crown and the individual leaves within the wreath. Well-struck examples exhibit sharp definition, while circulation wear typically smooths these features first.