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5000 Dinara

Uitgever Narodna Banka Jugoslavije (National Bank of Yugoslavia)
Jaar 1963
Type Log in om details te zien
Waarde Log in om details te zien
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Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
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Ontwerper(s) Log in om details te zien
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In omloop tot Log in om details te zien
Referentie(s) P#76
Beschrijving voorzijde Dark blue intaglio-printed note with a large sculptural vignette at left, after Ivan Meštrović, showing two heroic male figures in relief gazing upward and to the right, executed in fine line engraving. At centre-right, the denomination numeral 5000 is set within an ornate guilloche cartouche, flanked by the multilingual inscriptions ДИНАРА / DINARJEV and DINARA / ДИНАРИ. The bank title НАРОДНА БАНКА ЈУГОСЛАВИЈЕ arcs across the upper register, with the date БЕОГРАД, 1. МАЈ 1963. and two facsimile signatures of the Вицегувернер and Гувернер appearing below the central cartouche; a red serial number in Cyrillic prefix appears at lower centre.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde СОЦИЈАЛИСТИЧКА ФЕДЕРАТИВНА РЕПУБЛИКА ЈУГОСЛАВИЈА
БОСНА И ХЕРЦЕГОВИНА · МАКЕДОНИЈА · СЛОВЕНИЈА
СРБИЈА · ХРВАТСКА · ЦРНА ГОРА
ПЕТ ХИЉАДА ДИНАРА
ПЕТ ТИСОЦ ДИНАРЈЕВ
ПЕТ ХИЉАДА ДИНАРА
ПЕТ ИЛЈАДИ ДИНАРИ
5000
SOCIJALISTICKA FEDERATIVNA REPUBLIKA JUGOSLAVIJA
ФАЛСИФИКОВАЊЕ СЕ КАЖЊАВА ПО ЗАКОНУ · КРИВОТВОРЕЊЕ СЕ КАЖЊАВА ПО ЗАКОНУ
ПОНАРЕЈАЊЕ СЕ КАЗНУЈЕ ПО ЗАКОНУ · ФАЛСИФИКУВАЊЕТО СЕ КАЗНУВА СПОРЕД ЗАКОНОТ
M. PETROVIĆ - FEC.
T. KRNJAJIĆ - SC.
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
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Opmerkingen

The 5000 Dinara of 1963 belongs to a series issued just two years before Yugoslavia's sweeping 1965 economic reform, which ultimately redenominated the currency at 100 old dinars to 1 new dinar — rendering notes at this face value essentially worthless overnight. High-denomination issues from this period circulated hard in the years preceding the reform, making genuinely uncirculated survivors uncommon.

Krnjajić's engraving work for ZIN during the 1960s is considered among the finer domestic intaglio output of the period. Yugoslavia's decision to keep production entirely in-house at Belgrade rather than contracting to foreign security printers like De La Rue was a deliberate policy position, not a technical one.

MISSCHIEN OOK INTERESSANT