Catalog
| Issuer | Uganda |
|---|---|
| Year | 1969 |
| Type | Coin pattern |
| Value | 500 Shillings (500 UGS) |
| Currency | Shilling (1966-1987) |
| Composition | Gold plated brass |
| Weight | |
| Diameter | |
| Thickness | |
| Shape | Round |
| Technique | Milled |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) |
| Obverse description | Front-facing upper body of Pope Paul VI, with left hand raised, wearing hat, above globe with visited cities. |
|---|---|
| Obverse script | Latin |
| Obverse lettering | BANK OF UGANDA PAUL VI KAMPALA 1969 JERUSALEM 1964 BOMBAY 1964 NEW-YORK 1965 FATIMA 1967 CONSTANTINOPLE 1967 BOGOTA 1968 GENEVA 1969 |
| Reverse description | Blank. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
1969 - Proof - |
| Numisquare ID | 1315851730 |
| Additional information |
Historical Context: The 1969 500 Shillings Pope Paul VI Reverse Trial coin from Uganda commemorates a profoundly significant event: the first pastoral visit by a reigning pontiff to the African continent. Pope Paul VI’s journey to Uganda in July-August 1969 was a landmark moment for both the Catholic Church and the newly independent nation under President Milton Obote. This visit underscored Uganda's international prominence and its strong Christian heritage during a pivotal post-colonial era.
Artistry: This reverse trial piece, while lacking specific engraver attribution, exemplifies the modern commemorative numismatic style of the late 1960s. The reverse design would undoubtedly feature a dignified portrayal of Pope Paul VI, likely a bust or profile, accompanied by inscriptions denoting the historic 1969 visit. The artistic execution aimed for clear legibility and respectful representation, blending traditional portraiture with the contemporary aesthetic of newly independent nations.
Technical/Grading: Struck in gold plated brass, this 500 Shillings piece served as a trial to evaluate the reverse die’s design and strike quality. Key high-points for grading include the uppermost details of the Pope’s headwear, the bridge of his nose, and the deepest folds of his vestments. Collectors should assess the integrity of the gold plating for wear or flaking, common on trial pieces. The strike quality, typical of trials, is expected to be exceptionally sharp, showcasing minute details and strong relief.