Catalogus
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| Uitgever | Banque de France |
|---|---|
| Jaar | 1863 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Fay#A35 |
| Beschrijving voorzijde | Entirely intaglio-printed in blue on cream paper, the note is framed by an elaborate oval guilloche border populated with allegorical figures, putti, and classical medallion portraits at left and right. The central field carries the issuer name BANQUE DE FRANCE and date above the large denomination inscription cinq cents francs in italic script. Two circular anti-counterfeiting legend panels flank the centre, with signature lines for Le Contrôleur, Le Caissier principal, and Le Secrétaire Général below. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Watermark reading 500 F. Five Hundred Fr visible when held to light |
| Varianten | Log in om details te zien |
| Opmerkingen |
The type 1863 500 Francs marks the Banque de France's shift toward blue-tinted printing at this denomination — a deliberate counterfeit deterrent, since the photographic reproduction techniques then emerging struggled to capture blue ink faithfully. Jacques-Jean Barre had died in 1855, so his contribution here was inherited plate work rather than a fresh commission; Pannemaker and Harang completed what became one of the more technically involved intaglio productions the Banque undertook in-house during the Second Empire period.
Fay A35 examples with legible dates from the early 1860s are considerably scarcer than later printings from the same type, which ran well into the 1870s.