目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | The central intaglio vignette presents three allegorical male figures in a classical academic composition, two engaged in vigorous poses suggestive of labour or sacrifice, set against a background of Roman colonnaded ruins at right. A rectangular panel at upper left carries the denomination inscription in both French and Arabic script, with a second Arabic-script panel positioned below. The engraver's name appears in the lower corners. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | Watermark |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The Banque de l'Algérie operated as a note-issuing authority under French metropolitan supervision, and by 1947 it was navigating the immediate postwar monetary disorder that had swept through North Africa — including a 1945 currency exchange designed to soak up wartime hoards and occupation-era inflation. Notes of this denomination were printed by the Banque de France in Paris and shipped to Algeria, a logistical arrangement that made uninterrupted supply vulnerable to any disruption in the shipping lanes.
Poughéon was a Prix de Rome laureate whose work for French colonial currency spanned several decades; Hourriez and Armanelli were career engravers at the Banque de France atelier.