Catalogus
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| Uitgever | Banque de France |
|---|---|
| Jaar | 1943 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Rectangular |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | BANQUE DE FRANCE 500 500 |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | a portrait medallion visible when held to light, integrated into the paper during manufacture. |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Chateaubriand 500 Francs series was printed and issued under German occupation, a circumstance that shaped everything about its production and distribution. The Banque de France continued operating throughout the war under Vichy administration, supplying notes to an economy simultaneously drained by occupation indemnity payments — France was billed 400 million francs per day to cover Wehrmacht costs, a figure that drove chronic cash shortages and accelerated note wear.
P#101A specimens in genuinely circulated grades are common for the period. The notes moved hard through a rationed, black-market economy where paper changed hands constantly.