カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Central intaglio vignette by Duval and engraved by Deloche portrays two women in a North African rural landscape: one seated on the ground arranging pottery vessels, the other standing with a large jar balanced on her head, set against a panoramic hillside background. Two unprinted oval watermark windows flank the central scene, framed by ornate arabesque guilloche borders. The denomination 500 appears in large numerals at lower left and lower right, with Arabic script inscriptions running along the bottom margin. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | Watermark |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Banque de l'Algérie was not a central bank in any modern sense — it operated as a private institution under French government concession, its note-issuing privilege repeatedly renewed from its founding in 1851 through the colonial period. This 500 Francs series ran across sixteen years and two world wars, which means notes bearing dates in the early 1940s were circulating in a colony whose metropolitan government had collapsed and been replaced by Vichy. The political authority behind the issuer changed fundamentally mid-series without any visible change to the notes themselves.
Deloche was among the more accomplished intaglio engravers working in France during this period, with credits across multiple colonial and metropolitan issues for the Banque de France stable of printers.