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| 正面描述 | Intaglio portrait vignette of a young boy occupies the left half of the note, rendered in fine engraved line work against a dark red-brown underprint. At centre, the Socialist Federal Republic of Yugoslavia state coat of arms is set within an elaborate guilloche rosette, flanked by the large numeral "500" in bold intaglio numerals, with the denomination in four languages below. The bank name appears across the top in three scripts — Latin, Cyrillic Serbian, and Cyrillic Macedonian — while a decorative wave pattern and the serial number in red are printed to the lower right. |
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| 背面描述 | The central vignette presents a stylised topographic view of the Montenegrin karst mountain landscape — Durmitor massif — rendered in bold red and ochre tones with geometric, almost abstract faceting over a fine guilloche underprint. The large numeral "500" in intaglio appears at lower right, with the denomination spelled out in four languages beneath the mountain scene. The country name "JUGOSLAVIJA / ЈУГОСЛАВИЈА" is printed in red at upper right, the Governor's facsimile signature and title appear at lower left alongside the city and year "BEOGRAD · VEOGRAD · БЕЛГРАД 1991.", and the printer's imprint runs along the lower margin. |
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By 1991, Yugoslavia was disintegrating politically and economically simultaneously. This note was issued into an inflation spiral that would eventually render the entire dinar series worthless within months — the 500 Dinara denomination, meaningful at printing, became effectively negligible before many examples had a chance to circulate meaningfully. ZIN in Belgrade continued producing notes for the Federal government even as the republics were seceding, making the late issuances from this period something of a printer's exercise in futility.
Hrvanović's engraving work on the obverse is the one element that outlasted the currency itself in terms of craft reputation.