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| 表面の説明 | Central vignette presents a portrait of composer Heitor Villa-Lobos (1887–1959) set against a piano keyboard, with a Victoria amazonica water lily in bloom to the left and a manuscript excerpt from his symphonic poem Uirapuru in the background. The composition is framed on both sides by the maestro's own words — "Considero minhas obras como cartas que escrevi à posteridade sem esperar resposta" — repeated in two overlapping diagonal lines forming a decorative border. Denominations and institutional inscriptions appear in intaglio lettering. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The central vignette reproduces an engraving after a work by Johann Moritz Rugendas, rendered in a fine intaglio technique, evoking a dense Brazilian primary forest along a riverbank with a canoe carrying figures in the foreground. As on the obverse, the scene is flanked on both sides by Villa-Lobos's celebrated phrase — "Considero minhas obras como cartas que escrevi à posteridade sem esperar resposta" — printed in two overlapping diagonal lines forming a decorative textual border. The denomination 500 and the inscription QUINHENTOS CRUZADOS appear in bold letterpress. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | series A0001 - A2352 - Dilson Domingos Funaro & Fernão Carlos Botelho Bracher series A2353 - A2842 - Dilson Domingos Funaro & Francisco Roberto André Gros series A2843 - A7504 - Luiz Carlos Bresser Gonçalves Pereira & Fernando Millet de Oliveira series A7505 - A8351* - Maílson Ferreira Da Nóbrega & Elmo de Araújo Camões *Error in Catalog, giving only series A7505 - A8309 |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント | ログイン して詳細を見る |