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50 Pfennig Gleiwitz, Oberschlesischer Kulturverband

Uitgever Oberschlesischer Kulturverband, Gleiwitz
Jaar
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Lippert
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Multicolored design in blue, black, and ochre tones. The central vignette presents a detailed landscape view of Burg und Stadt Tost, with the castle on a wooded hill reflected in a river or lake in the foreground. The left lateral panel carries a figure of an armoured knight in blue and ochre, while the right panel shows a standing peasant figure; denomination numerals '50' appear in decorative cartouches at upper left and upper right. A lower horizontal sub-vignette in ochre depicts a historical wagon train scene with figures on horseback. The designer's signature 'W. R. Lippert' is visible at lower right of the central vignette.
Opschrift keerzijde Burg und Stadt Tost / 50 / 50 / D.R.G.M. 795679
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
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Opmerkingen

Gleiwitz occupied an uncomfortable position during the Upper Silesian plebiscite period of 1920–1921, when the entire region's political future hung on an internationally supervised vote. The Oberschlesischer Kulturverband — an ethnically German cultural organization — issued this Notgeld as part of a broader effort to assert German identity and institutional presence during that fraught interval. It was political currency in a very literal sense.

Flemming & Wiskott in Glogau handled a substantial volume of Silesian Notgeld printing during this period, and the engraver credit to Flemming within the same firm suggests in-house plate work rather than a contracted artist.

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