カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Multicolored notgeld in blue, black, and grey tones. The central vignette presents a silhouette of Burg Tost castle against a white cloud underprint, below which a curved cartouche carries the payment text in Gothic script naming the Bank für Handel und Industrie, Niederlassung Gleiwitz, with the denomination 'Fünfzig Pfennig' in bold blackletter. Flanking decorative side panels in blue display stylised floral and bellflower motifs, with the account reference 'Konto E' at lower left and the serial number at lower right; the printer's imprint 'Flemming-Wiskott-A.-G.-Glogau' appears in the bottom margin. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Multicolored design in blue, black, and ochre tones. The central vignette presents a detailed landscape view of Burg und Stadt Tost, with the castle on a wooded hill reflected in a river or lake in the foreground. The left lateral panel carries a figure of an armoured knight in blue and ochre, while the right panel shows a standing peasant figure; denomination numerals '50' appear in decorative cartouches at upper left and upper right. A lower horizontal sub-vignette in ochre depicts a historical wagon train scene with figures on horseback. The designer's signature 'W. R. Lippert' is visible at lower right of the central vignette. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Gleiwitz occupied an uncomfortable position during the Upper Silesian plebiscite period of 1920–1921, when the entire region's political future hung on an internationally supervised vote. The Oberschlesischer Kulturverband — an ethnically German cultural organization — issued this Notgeld as part of a broader effort to assert German identity and institutional presence during that fraught interval. It was political currency in a very literal sense.
Flemming & Wiskott in Glogau handled a substantial volume of Silesian Notgeld printing during this period, and the engraver credit to Flemming within the same firm suggests in-house plate work rather than a contracted artist.