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50 Pfennig Gewerbebank

Uitgever Gewerbebank Neuburg an der Donau
Jaar 1917
Type Log in om details te zien
Waarde 50 Pfennigs (50 Pfennige) (0.50)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Round leather notgeld token printed in dark brown on a natural tan ground. The central field carries the large numeral '50' framed above by the text 'Gut für' and below by 'Pfennig' and the date '1917', all set against a hatched background. A wreath of oak and laurel branches encircles the denomination, with the whole composition bounded by a beaded border ring.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Round reverse printed in dark brown on a natural tan ground, with a beaded outer border enclosing a double-line ring. A vignette in the central field shows two craftsmen operating what appears to be a wine or cider press beneath an arched gateway, with foliage to either side, rendered in a fine letterpress style. The issuer's name 'GEWERBEBANK' arcs across the upper register and 'NEUBURGaD.' along the lower, flanked by small decorative dot motifs.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Leather notgeld from the First World War period is among the more unusual emergency currency materials documented in German-speaking territories, but Bavarian issuers were particularly inventive. Gewerbebank Neuburg an der Donau was a small commercial lending institution serving the Neuburg district — not a municipal authority — making this a genuinely private-sector emergency issue rather than a town or city note.

The leather substrate creates chronic conservation problems: oils migrate, edges crack, and any previous mounting or lamination tends to leave irreversible staining. Unaltered, unmounted examples are the ones to seek.

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