カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is printed in blue and salmon-pink, with decorative scrollwork panels in each lateral margin and denomination numerals '50' in blue circles at upper left and right. The central vignette illustrates a scene from Friedrich Schiller's poem 'Das Lied von der Glocke': a large crowned bell rests upon the ground while a standing figure in 18th-century dress, holding a sheaf of papers, contemplates it, with a seated child visible in the background. A text panel at the lower margin carries an opening quatrain from Schiller's poem in Gothic Fraktur script. |
| 裏面の銘文 | Festgemauert in der Erden steht die Form / aus Lehm gebrannt. Heute muß die Glocke werden! Frisch Gesellen seid zur Hand! |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Rudolstadt's 1921 Notgeld issue was a product of the coin shortage that plagued Germany in the early Weimar years — small denominations had effectively vanished from circulation as metal values fluctuated and the public hoarded anything tangible. Municipal councils across Thuringia stepped in as de facto monetary authorities, with Lorsch & Nachbar printing the Rudolstadt series locally, a matter of practical logistics rather than civic pride.
Thuringian Notgeld from this period was sometimes overproduced deliberately for the collector market, which had developed an appetite for the genre by 1921. Whether Rudolstadt's issue falls into that category or reflects genuine local need is worth establishing before assigning circulation assumptions.