50 Pfennig

Liebenwerda's 1921 Notgeld series carries an unusual distinction: the designer credited is Karl Blossfeldt, the Berlin-based photographer and educator who would later achieve international recognition with his 1928 botanical photobook *Urformen der Kunst*. Whether his involvement here was a local commission or a personal connection to the district is unclear, but the Gummidruck (rubber-plate printing) process used by C. Ziehlke was a pragmatic wartime-era technique that lingered into the Notgeld boom precisely because it was cheap and locally executable.

The reference DeNG 1/2#800.1-1/6 suggests a set of six distinct pieces within this district issue — a scope typical of municipalities that treated their emergency currency as a modest revenue source through collector sales.