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50 Lire Banco Di Napoli
| Uitgever | Banco di Napoli |
|---|---|
| Jaar | 1914 |
| Type | Log in om details te zien |
| Waarde | 50 Lire (50 ITL) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Salmon-toned note with an elaborate intaglio frame of symmetrical leaf-form guilloche panels flanking a central cartouche bearing the large numeral '50' above the words 'LIRE CINQUANTA' in bold letterpress. To the lower left, a finely engraved portrait vignette of a young woman after a classical Italian painting is set within an arched panel. At centre, a red circular underprint seal bearing a female profile is overprinted between the two manuscript signatures, with legal text citing the governing decrees below the denomination. The imprint 'INCISO E STAMPATO IN NAPOLI NELL OFF. CARTE VALORI RICHTER & CO.' appears at the bottom margin. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Overprint seal |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Banco di Napoli held a note-issuing privilege dating back to 1816 and was one of the last regional Italian banks still operating its own circulation when this note was printed. The 1926 banking reforms that consolidated issue rights exclusively with the Banca d'Italia effectively ended Banco di Napoli's role as an issuing institution, meaning this 1914 series belongs to the final decade of that centuries-old prerogative.
Richter & Co. were Naples-based printers with a long relationship with the bank, which kept production local — unusual for higher-denomination Italian fiduciary notes of the period, which more often went abroad to firms like De La Rue.