Catalogus
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50 Kurush
| Uitgever | Ottoman Empire |
|---|---|
| Jaar | 1840 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Rectangular |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | The note bears the tughra of Sultan Abdülmecid I at upper center, accompanied by two circular official seals including that of Saib Pasha at lower left. Ottoman calligraphic script inscriptions in naskh and diwani hands are arranged in horizontal bands across the face, with the denomination indicated in Ottoman numerals. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 1840 Ottoman 50 Kurush is among the earliest entries in the Pick catalog for Turkey — this is the kaime, the first paper currency the Ottoman state ever issued. Introduced under Mahmud II's successor Abdülmecid I as a borrowing instrument to cover chronic treasury deficits, it was never originally conceived as a circulating banknote at all. The kaime functioned more like a forced loan receipt, bearing interest at eight percent.
Public reception was hostile. Anatolian and Arab provinces rejected paper outright, and within years the notes were trading at steep discounts to face value. Counterfeiting emerged almost immediately, partly because early production lacked sophisticated security features — the printing was handled domestically at a time when Ottoman technical capacity for intaglio work was limited.
Surviving examples from this first emission are rare; most wore out quickly or were destroyed during subsequent currency reforms.