Katalog
Warum registrieren? Nur um Bots aus unserem Katalog fernzuhalten. Ihre E-Mail bleibt privat — wir geben sie nie weiter und senden Ihnen nichts Unerwünschtes. Das garantieren wir Ihnen!
| Emittent | Narodna Banka Hrvatske |
|---|---|
| Jahr | 1993 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Rectangular |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Pale yellow note with an intaglio portrait of the Croatian Baroque poet Ivan Gundulić (1589–1638) occupying the right half of the face, rendered in dark blue-green with fine engraved line work. To the upper centre, a small vignette of the Croatian coat of arms is accompanied by a text block of verse, while a guilloche underprint panel in teal runs vertically at centre-left. The large numeral "50" in open-face figures appears at lower centre, with the denomination "PEDESET KUNA" printed vertically at left alongside the bank title; a small square colour-test block is visible at lower left. |
|---|---|
| Vorderseitenlegende | NARODNA BANKA HRVATSKE PEDESET KUNA 50 IVAN GUNDULIĆ 1589 - 1638 |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Croatia's first post-independence banknote series was designed and printed under considerable time pressure — the kuna was reintroduced on 30 May 1994, reviving a currency name last used under the wartime Ustasha regime, a politically loaded choice that generated real public debate. This 50 kuna piece is a pattern, produced before the final series was confirmed, and pattern survivors from this issue are rarely encountered separately from institutional holdings.
The reintroduction of the kuna name required a deliberate government decision to reclaim the denomination from its 1941–1945 associations.