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| 正面描述 | Printed in green, the note carries a portrait vignette of Wilhelm Frimann Koren Christie — statesman, secretary of the Norwegian Constituent Assembly, and president of the National Assembly of Norway — positioned at the left. The denomination is indicated at right, with the text rendered in letterpress within a guilloche-enriched border. |
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Printed in green, the central vignette presents the Eidsvoll building in Akershus municipality, Norway. To the left appears a Viking figure, while to the right the national coat of arms of Norway is displayed, surrounded by the heraldic arms of the Norwegian diocesan towns of Christiania, Bergen, Hamar, Trondheim, Kristiansand, and Tromsø. |
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The Christie series takes its informal name from Wilhelm Frimann Koren Christie, whose portrait anchors the design — a deliberate invocation of constitutional authority, Christie having been the leading figure at the 1814 Eidsvoll assembly that produced Norway's constitution. Oluf Wold-Torne, better known as a painter than a banknote designer, was an unusual choice for the commission, and his involvement gives the series a slightly different visual character than the engraver-led work typical of contemporary European central bank issues.
The run spans an exceptionally long production window, crossing two world wars and Norway's dissolution of its union with Sweden in 1905. Notes from the Cederholm signature period saw heavy use during the economic turbulence of the early 1920s, when Norwegian monetary policy was locked in a painful deflationary drive to restore the krone to its pre-war gold parity — a goal finally achieved in 1928, the last year of his signing tenure.