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50 Heller Hallein
| Uitgever | Stadtgemeinde Hallein (City of Hallein) |
|---|---|
| Jaar | 1920 |
| Type | Log in om details te zien |
| Waarde | 50 Hellers (0.50) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | FÜR 50 HELLER GILTIG HALLEIN 14.6.1920 VIZE-BÜRGER-MEISTER Gutschein der Stadtgemeinde Hallein DER BÜRGERMEISTER: WIRD FÜR 50 HELLER VOM 1.12.-31.12.1920 EINGELÖST VIZE-BÜRGER-MEISTER R. KIESEL, SALZBURG |
| Beschrijving keerzijde | Central vignette of a salt miner beneath a radiant sunburst within an arched arcade flanked by decorative columns; year '1920' at top centre, Hallein salt-cone shield cartouches at upper corners, denomination '50 FÜNFZIG HELLER' repeated at lower left and right above 'HALLEIN' in Gothic lettering. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Hallein's 50 Heller notgeld of 1920 was printed by R. Kiesel in Salzburg at a moment when the postwar collapse of the Austro-Hungarian monetary system had left Austrian municipalities scrambling to produce their own emergency small change. The chronic shortage of coin — accelerated by metal hoarding and the dissolution of imperial supply chains — pushed hundreds of towns to commission local printers for fractional denominations that the central authorities could not or would not provide.
The designer credit to Felgel-Farnholz is worth noting: many notgeld pieces from the Salzburg region were anonymous jobbing work, and a named designer suggests the Stadtgemeinde treated this as something more than a purely functional stopgap.