50 Francs

発行体 Algeria
年号 1949
種類 Standard circulation coin
額面 50 Francs
通貨 Franc (1848-1959)
材質 Copper-nickel (75% Copper, 25% Nickel)
重量 8 g
直径 27 mm
厚さ 2 mm
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Pierre Turin
流通終了年 15 September 1964
参考文献 KM#92, Lec#52, Schön#2
表面の説明 `Marianne` facing right
表面の文字体系 Latin
表面の銘文 REPUBLIQUE FRANÇAISE P. TURIN
(Translation: French Republic P. Turin)
裏面の説明 Value above date, flanked by wheat ears, country below
裏面の文字体系 Latin
裏面の銘文 50 FRANCS 1949 ALGERIE
(Translation: 50 Francs 1949 Algeria)
Milled
鋳造所 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
鋳造数 1949 - (fr) Lec#52 - 18 000 000
Numisquare ID 4266623550
追加情報

Historical Context: The 1949 50 Francs coin for Algeria emerged during a pivotal post-World War II period. Algeria, then administratively integrated into metropolitan France as departments, shared the French monetary system. This era, under the Fourth French Republic, was characterized by significant economic reconstruction and monetary stabilization efforts following wartime disruption and inflation. The issuance of this denomination reflects the ongoing integration of Algeria into the broader French economic sphere, despite burgeoning nationalist sentiments that would later lead to its independence.

Artistry: The coin's design exemplifies the prevailing numismatic aesthetic of the mid-20th century French mint. While specific engraver attribution for the Algerian series can vary, the obverse typically features a stylized Marianne, a national personification of France, often rendered with a Phrygian cap, embodying republican ideals. The reverse strikingly depicts a gazelle, a graceful symbol of North African fauna, encircled by the denomination and the issuing territory, "ALGERIE." This fusion of classical French iconography with distinct local symbolism creates a unique artistic identity.

Technical/Grading: Struck in copper-nickel, this 8-gram, 27mm coin generally exhibits a robust strike. Key high-points for grading include the intricate details of Marianne's hair and the folds of her Phrygian cap on the obverse. On the reverse, attention should be paid to the gazelle's delicate horns, its eye, and the musculature of its hindquarters, which are often the first areas to show wear or a weak strike. Collectors should also assess the sharpness of the legend and the condition of the fields for bag marks, common for this alloy and size.

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