50 Euro 2002 Series

Emittente	European Central Bank
Anno	2002-2016
Tipo	Standard circulation banknote
Valore	Accedi per vedere i dettagli
Valuta	Accedi per vedere i dettagli
Composizione	Accedi per vedere i dettagli
Dimensioni	Accedi per vedere i dettagli
Forma	Accedi per vedere i dettagli
Stampatore	Accedi per vedere i dettagli
Disegnatore/i	Accedi per vedere i dettagli
Incisore/i	Accedi per vedere i dettagli
In circolazione fino al	Accedi per vedere i dettagli
Riferimento/i	Accedi per vedere i dettagli

Descrizione del dritto	The obverse is dominated by a Renaissance-style window and doorway vignette rendered in warm ochre and orange tones, symbolising the European spirit of openness and cooperation; the architectural motif is entirely fictitious and does not reproduce any actual monument. The denomination '50' appears in large numerals at left, with the ECB acronyms in multiple EU languages — BCE ECB EZB EKT EKP — running along the upper register, while '2002' and 'EURO / ΕΥΡΩ' are inscribed below. An intaglio-printed gold numeral and a colour-shifting ink patch at lower right serve as primary security elements alongside the characteristic guilloche underprint.
Legenda del dritto	BCE ECB EZB EKT EKP 2002 50 EURO ΕΥΡΩ
Descrizione del rovescio	Accedi per vedere i dettagli
Legenda del rovescio	Accedi per vedere i dettagli
Firma/e	Accedi per vedere i dettagli
Tipo di protezione	Accedi per vedere i dettagli
Descrizione della protezione	Accedi per vedere i dettagli
Varianti	Accedi per vedere i dettagli
Commenti	The first euro banknotes entered circulation on 1 January 2002 across twelve countries simultaneously — a logistical undertaking that required pre-positioning roughly 15 billion notes in advance. The 50 euro denomination was among the highest-volume notes in that initial release, and production was distributed across multiple national printing works operating under ECB license, which is why printer attribution on individual notes requires reading the serial number prefix rather than any on-note text. Robert Kalina won the ECB's internal design competition in 1996. His original sketches had incorporated real European bridges and facades; these were rejected in favor of composite fictional architecture to avoid privileging any member state.