See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

50 Euro 2002 Series

Issuer European Central Bank
Year 2002-2016
Type Log in to see details
Value 50 Euros
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse lettering Log in to see details
Reverse description The reverse bears a fictitious Renaissance-era bridge vignette at centre, symbolising communication between the peoples of Europe and with the rest of the world, set against a cartographic underprint showing the European continent. The denomination '50' is repeated at upper left and lower right in bold numerals, with 'EURO / ΕΥΡΩ' inscribed centrally, and the twelve stars of the European flag arranged in the upper field. A machine-readable strip and microprinting are incorporated into the overall guilloche background.
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Watermark, Security thread, Hologram
Protection description Log in to see details
Variants Log in to see details
Comments

The first euro banknotes entered circulation on 1 January 2002 across twelve countries simultaneously — a logistical undertaking that required pre-positioning roughly 15 billion notes in advance. The 50 euro denomination was among the highest-volume notes in that initial release, and production was distributed across multiple national printing works operating under ECB license, which is why printer attribution on individual notes requires reading the serial number prefix rather than any on-note text.

Robert Kalina won the ECB's internal design competition in 1996. His original sketches had incorporated real European bridges and facades; these were rejected in favor of composite fictional architecture to avoid privileging any member state.

YOU MAY ALSO LIKE