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| 正面描述 | Red-brown and multicolour note (Chapa 1) with a central portrait vignette of Manoel da Silva Passos, the coat of arms positioned at upper centre. Intricate guilloche underprint frames the design elements throughout the face. Denomination and issuer inscriptions appear in letterpress. |
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面铭文 | BANCO DE PORTUGAL 50 CINCOENTA ESCUDOS (Translation: Bank of Portugal Fifty Escudos) |
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| 防伪类型 | 登录 以查看详情 |
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Bradbury Wilkinson held a near-monopoly on Portuguese banknote contracts during the early twentieth century, and this series reflects that relationship — the London-engraved intaglio work was considerably finer than anything Banco de Portugal's domestic printers could produce at the time. The seven-year span between first and last print dates indicates a long run with periodic reissuance rather than a single print order, which is typical for how Bradbury Wilkinson managed large colonial and European contracts of this period.
Watermark-only security was already considered minimal by 1920 standards. The absence of more sophisticated features reflects postwar austerity in specification, not in execution.