Catalogus
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| Uitgever | Banco de Angola |
|---|---|
| Jaar | 1973 |
| Type | Log in om details te zien |
| Waarde | 50 Escudos |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | BANCO DE ANGOLA CINQUENTA ESCUDOS (Translation: Bank of Angola, Fifty Escudos) |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Portrait watermark of Luís de Camões |
| Varianten | Log in om details te zien |
| Opmerkingen |
By 1973, Angola was entering the fourth year of its most intense phase of anti-colonial war, with MPLA, FNLA, and UNITA all active against Portuguese forces. The Banco de Angola continued issuing notes under Lisbon's authority, and this 50 Escudos was among the last series printed before the April 1974 coup in Portugal that set decolonization in motion. Independence followed in November 1975, after which the escudo was replaced by the kwanza.
Bradbury Wilkinson had printed Angolan issues for decades by this point, working from their New Malden facility in Surrey. The relationship was typical of how Lisbon managed colonial currency — contracted to a reputable British security printer rather than handled domestically.