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50 Céntimos Pedro Muñoz

Uitgever Consejo Municipal de Pedro Muñoz
Jaar 1938
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Gari Mon#
Beschrijving voorzijde Typeset letterpress note printed in black on light blue-grey card stock, enclosed within a bold rectangular border composed of repeating dash-and-block segments. The issuer's name appears in large display type at the top, followed by the emission date and the denomination in oversized bold lettering at centre. Below, a redemption clause is set in smaller roman type, with three manuscript signatures beneath the printed role titles El Presidente, El Interventor, and El Depositario.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde 50 Obligatoria su circulación en esta localidad
(Translation: 50 Mandatory circulation in this town)
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Pedro Muñoz is a small agricultural town in La Mancha, and its municipal council issued emergency small-change notes during the Civil War to compensate for the chronic shortage of metallic coinage that crippled retail trade across Republican-held Spain from 1936 onward. The central government's inability to keep fractional coin in circulation pushed hundreds of municipalities into printing their own vales and billetes de necesidad — some professionally produced, most emphatically not.

The Gari Montaner catalogue reference is incomplete here, suggesting this piece may be unconfirmed or only recently documented. Thick card stock was typical of municipal issues where printing resources were improvised and longevity of the substrate mattered more than sophistication of the press.

MISSCHIEN OOK INTERESSANT