目录
| 发行方 | Congo Free State (1885-1908) |
|---|---|
| 年份 | 1896 |
| 类型 | Coin pattern |
| 面值 | 50 Centimes (0.50) |
| 货币 | Franc (1887-1960) |
| 材质 | Gold (.900) |
| 重量 | 4.09 g |
| 直径 | 18 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Coin alignment ↑↓ |
| 雕刻师 | Émile Fernand-Dubois |
| 流通至 | |
| 参考资料 | Delmonte G#1321 |
| 正面描述 | Draped bust left |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | LEOP II R D BELG SOUV DE L`ETAT INDEP DU CONGO FERNAN DUBOIS |
| 背面描述 | Crowned coat-of-arms within wreath |
| 背面文字 | Latin |
| 背面铭文 | 50 CENTS 1896 |
| 边缘 | Reeded |
| 铸币厂 | |
| 铸造量 |
1896 - Matte Proof - |
| Numisquare 编号 | 4619077250 |
| 附加信息 |
Historical Context: The 1896 50 Centimes Léopold II gold pattern originates from the Congo Free State (1885-1908), Léopold II of Belgium’s controversial personal dominion. This era was notorious for brutal resource exploitation and human rights abuses. As a pattern, this gold trial piece reflects Léopold II's ambition to establish a distinct, recognized currency for his territory. It served as a prestige or demonstration item, signifying a desired economic legitimacy for the Congo Free State, despite its harsh administration, rather than widespread circulation.
Artistry: This pattern embodies late 19th-century European academic realism, typical of royal portraiture. While the specific engraver is often unrecorded, the style aligns with Brussels Mint master engravers like Alphonse Michaux. The obverse features a dignified bust of Léopold II, often facing right, precisely detailed to convey regal authority. The reverse commonly displays "50 CENTIMES" and "1896," frequently within a wreath or incorporating the Congo Free State’s five-pointed star emblem, signifying its territorial identity.
Technical/Grading: As a gold pattern, this coin consistently exhibits exceptional technical qualities. The strike is typically very strong, yielding full detail on Léopold II's hair, beard, and attire. On the reverse, all lettering and decorative motifs are sharply defined. Fields often present proof-like reflectivity. High points for wear include the portrait's highest relief (e.g., forehead, cheekbone) and reverse lettering edges. Due to rarity, surviving examples are frequently found in superb states of preservation, retaining significant original mint luster.