کاتالوگ
| صادرکننده | Congo Free State (1885-1908) |
|---|---|
| سال | 1896 |
| نوع | Coin pattern |
| ارزش | 50 Centimes (0.50) |
| واحد پول | Franc (1887-1960) |
| ترکیب | Gold (.900) |
| وزن | 4.09 g |
| قطر | 18 mm |
| ضخامت | |
| شکل | Round |
| تکنیک | Milled |
| جهت | Coin alignment ↑↓ |
| حکاک(ها) | Émile Fernand-Dubois |
| در گردش تا | |
| مرجع(ها) | Delmonte G#1321 |
| توضیحات روی سکه | Draped bust left |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | LEOP II R D BELG SOUV DE L`ETAT INDEP DU CONGO FERNAN DUBOIS |
| توضیحات پشت سکه | Crowned coat-of-arms within wreath |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه | 50 CENTS 1896 |
| لبه | Reeded |
| ضرابخانه | |
| تیراژ ضرب |
1896 - Matte Proof - |
| شناسه Numisquare | 4619077250 |
| اطلاعات تکمیلی |
Historical Context: The 1896 50 Centimes Léopold II gold pattern originates from the Congo Free State (1885-1908), Léopold II of Belgium’s controversial personal dominion. This era was notorious for brutal resource exploitation and human rights abuses. As a pattern, this gold trial piece reflects Léopold II's ambition to establish a distinct, recognized currency for his territory. It served as a prestige or demonstration item, signifying a desired economic legitimacy for the Congo Free State, despite its harsh administration, rather than widespread circulation.
Artistry: This pattern embodies late 19th-century European academic realism, typical of royal portraiture. While the specific engraver is often unrecorded, the style aligns with Brussels Mint master engravers like Alphonse Michaux. The obverse features a dignified bust of Léopold II, often facing right, precisely detailed to convey regal authority. The reverse commonly displays "50 CENTIMES" and "1896," frequently within a wreath or incorporating the Congo Free State’s five-pointed star emblem, signifying its territorial identity.
Technical/Grading: As a gold pattern, this coin consistently exhibits exceptional technical qualities. The strike is typically very strong, yielding full detail on Léopold II's hair, beard, and attire. On the reverse, all lettering and decorative motifs are sharply defined. Fields often present proof-like reflectivity. High points for wear include the portrait's highest relief (e.g., forehead, cheekbone) and reverse lettering edges. Due to rarity, surviving examples are frequently found in superb states of preservation, retaining significant original mint luster.