50 Centesimi - Victor Emmanuel II Florence

Эмитент United Provinces of Central Italy
Год 1860-1861
Тип Standard circulation coin
Номинал 50 Centesimi (0.50)
Валюта Lira (1859-1861)
Состав Silver (.900)
Вес 2.5 g
Диаметр 18 mm
Толщина
Форма Round
Техника Milled
Ориентация Coin alignment ↑↓
Гравёр(ы) Luigi Gori
В обращении до
Каталожные номера KM#11, Gigante#15-16
Описание аверса Bust to right.
Письменность аверса Latin
Надписи аверса VITTORIO EMANUELE RE ELETTO
Описание реверса Crowned shield of Savoy arms, collar of order and laurel wreath suspended around left, bottom and right sides, mintname and date below.
Письменность реверса Latin
Надписи реверса CINQUANTA CENTESIMI FIRENZE 1860
Гурт
Монетный двор
Тираж 1860 G FIRENZE - - 2 430 000
1861 G FIRENZE - - 1 222 099
ID Numisquare 1118647600
Дополнительная информация

Historical Context: This 50 Centesimi, struck in Florence (1860-1861), is a pivotal numismatic artifact from the United Provinces of Central Italy during the Risorgimento. Following the expulsion of former rulers, provisional governments, including Tuscany, aligned with Victor Emmanuel II, King of Sardinia. Issuance of coinage bearing his effigy, predating the formal Kingdom of Italy in March 1861, declared allegiance and represented a tangible step towards national unification, solidifying Piedmontese authority in these liberated territories.

Artistry: The obverse features a finely rendered laureate bust of Victor Emmanuel II, characteristic of the neoclassical style prevalent in European medallic art. While local engravers at the Florence mint executed the dies, the design closely follows Sardinian prototypes, often attributed to prominent engravers like Luigi Gori or Giuseppe Ferraris. The portrait emphasizes the monarch's resolute profile, a visual symbol of the unifying movement. The reverse displays the crowned Savoyard shield, encircled by the Collar of the Annunziata, flanked by laurel branches.

Technical/Grading: Given its diminutive size (18mm, 2.5g), this silver (.900) issue is particularly susceptible to wear and contact marks. Key grading points on the obverse include definition of Victor Emmanuel II's hair, beard, laurel wreath, and high points of his cheek/forehead. On the reverse, critical areas for preservation are the intricate crown details, the lion rampant on the Savoyard shield, individual links of the Collar of the Annunziata, and delicate leaves of the laurel branches. Strong examples retain sharp design elements and minimal field disturbances.

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