Catalogus
| Uitgever | Banco Central de la República Argentina |
|---|---|
| Jaar | 1948-1950 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Casa de Moneda de la Nación, Argentina |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The Argentine coat of arms rendered as the central vignette, surrounded by a wreath of laurel branches and enclosed within a guilloche underprint executed in blue tones. The denomination and country name appear in bold lettering above and below the central device. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Mouchon was a French engraver best known for designing postage stamps — his work on Argentine banknotes was essentially a job-for-hire through the Buenos Aires printing establishment, and his name appearing on small-denomination notes like this one is more a reflection of Argentina's interwar reliance on European design talent than any particular prestige commission.
The 1948–1950 dating spans the early Perón years, when the nationalization of the Banco Central in 1946 had already reoriented it as an instrument of state economic policy rather than an independent institution. A 50 centavos note in this period was genuinely useful tender — inflation had not yet eroded small denominations into irrelevance, though that would come.