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50 Centavos
| Emittent | Banco Central de la República Argentina |
|---|---|
| Jahr | 1948-1950 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Casa de Moneda de la Nación, Argentina |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | The Argentine coat of arms rendered as the central vignette, surrounded by a wreath of laurel branches and enclosed within a guilloche underprint executed in blue tones. The denomination and country name appear in bold lettering above and below the central device. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Watermark |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Mouchon was a French engraver best known for designing postage stamps — his work on Argentine banknotes was essentially a job-for-hire through the Buenos Aires printing establishment, and his name appearing on small-denomination notes like this one is more a reflection of Argentina's interwar reliance on European design talent than any particular prestige commission.
The 1948–1950 dating spans the early Perón years, when the nationalization of the Banco Central in 1946 had already reoriented it as an instrument of state economic policy rather than an independent institution. A 50 centavos note in this period was genuinely useful tender — inflation had not yet eroded small denominations into irrelevance, though that would come.