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| 背面描述 | Printed entirely in green, the reverse is dominated by large numeral '50' medallions at left and right within lathe-work guilloche borders, with the word 'CINCUENTA' in decorative bannerwork at top and bottom and 'CENTAVOS' below each numeral. The central panel carries a printed text block headed 'UNIFICACIÓN POR CANJE' setting out the legal conditions of redemption by reference to provincial decree and laws. |
| 背面铭文 | CINCUENTA 50 CENTAVOS UNIFICACIÓN POR CANJE DECRETO DEL P.E. DE LA PROVINCIA DE 26 OCTUBRE 1923 LEYES NOS. 210, 389, 417, 438, 643, 650, 662, 690. DISPOSICIÓN GENERAL: ESTAS OBLIGACIONES SERÁN RECIBIDAS POR SU VALOR ESCRITO EN TODAS LAS REPARTICIONES PÚBLICAS PROVINCIALES EN PAGO DE IMPUESTOS Y SERVICIOS Y POR EL BANCO OFICIAL EN CANCELACIÓN O AMORTIZACIÓN DE SUS CRÉDITOS. (LEY N.° 650, ART. 5.°). |
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Mendoza's 1914 fractional notes were issued by provincial authority during a period when small-denomination federal coinage had effectively disappeared from everyday commerce across interior Argentina — hoarded, exported, or simply worn out of circulation. Provincial and municipal bodies stepped in to fill the vacuum, and Mendoza was among several provinces that commissioned their own emergency fractional paper in this period.
Litografía Kraft was a well-established Buenos Aires commercial printer, not a specialist security press. That matters: these notes were produced to a commercial rather than fiduciary standard, which is reflected in how readily they were counterfeited and how quickly authorities moved to withdraw them once federal coinage supplies normalized.