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| 表面の説明 | The obverse is printed in blue-grey tones on cream paper, with a vignette at left center of a female portrait wearing a diadem, rendered in intaglio with fine line engraving. The bank title EL BANCO DE CARTAGENA is set in large letterpress across the upper field, with the denomination CINCUENTA CENTAVOS inscribed in the center. A promise-to-pay text in Spanish reads Pagará al portador, a la vista, en su oficina la suma de, with the place and date Cartagena, 1° de Enero de 1882 at lower left, flanked by two manuscript signatures below the titles El Director Gerente and El Cajero. The note number appears in the upper right corner, and a decorative guilloche border frames the entire composition. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is printed entirely in blue-grey on plain paper, centered on an elaborate symmetrical guilloche composition of interlocking rosettes and lathe-work ornaments surrounding the large numeral 50 at center. A continuous decorative border of fine engine-turned patterns frames the entire face, with additional text running along the outer margins. Two cancellation punch holes are visible through the center of the design. |
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| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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The Banco de Cartagena was one of several private commercial banks licensed under Colombia's 1871 banking law, which allowed state-chartered institutions to issue their own notes — a decentralized arrangement that persisted until the Banco de la República absorbed these privileges in the early twentieth century. Small-denomination fractional notes like this 50 Centavos were typically produced locally rather than sent abroad to established security printers, which accounts for the Cartagena imprint and for the comparatively modest production quality seen across the series.
Surviving examples are genuinely rare; low-denomination circulating paper from provincial Colombian banks of this period was used hard and seldom preserved.