カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Printed in dark green letterpress on plain paper, the obverse is organised around two large numeral '50' cartouches in ornate diamond-shaped guilloche frames positioned at the left and right extremities, connected by an interlaced Celtic-style guilloche border running the full perimeter. The central panel carries the municipal authority text in a typographic arrangement, setting out the issuing body, place of issue, and the bearer redemption pledge, dated Zagreb, 1 September 1942, with a reserved space for the mayor's manuscript signature at lower right. The design is entirely geometric and typographic, with no pictorial vignette. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is printed in two colours, with a dark green interlaced guilloche border frame enclosing a rose-carmine central vignette presenting an aerial panoramic view of Zagreb's main square and the surrounding city centre. The Zagreb municipal coat of arms, rendered as a castle motif, appears centred at the upper edge above the vignette, and the denomination '50 banica' is repeated diagonally in each corner within the border surround. A rectangular letterpress panel at the foot carries the anti-counterfeiting legend in dark green, with the printer's imprint in small text at lower right. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Zagreb's municipal government issued these small-denomination banica notes in 1942 as emergency fractional currency — the Independent State of Croatia's own coinage supply was inadequate to handle everyday small transactions, and the city stepped in to fill the gap. Municipal emergency issues of this kind were not unusual across Axis-occupied Europe, but Zagreb's series is among the more precisely documented, with Hrvatska državna tiskara handling production domestically rather than relying on German or Italian printing facilities.
Widmayer's involvement as designer places this squarely within the small circle of Croatian graphic artists working under NDH cultural directives. The note's tiny format was a practical consequence of its low face value, not an aesthetic choice.